Monday, 27 January 2014

Plan of Action

Plan of Action

I plan to re-film the footage I missed and also to improve some of the shots which did not turn out as well as they could have. I am currently trying to organise a date and time when all cast members are available to film again. This will hopefull be this weekend as I am just waiting for a few people to get back to me. If this weekend is an issue I may be able to film the following week if worst comes to the worst. I don't mind as long as it gets done. 

Sunday, 26 January 2014

Editing and Reviewing Clips

Editing and Reviewing Clips

I began editing after I shot the first lot of footage of my opening sequence. On editing the footage together I quickly realised that the footage I had could have worked better if I had shot them differently.


Here you can see in the shot before the extreme close up Ellen's hair is covering her face so it does not work well together.


In this shot I tried to fit the frame of the seat in the park within the frame of the shot but in turn this shot was not effective as the characters were not in the centre of the frame.




When editing footage together I didn't realise that I had edited two long shots together.






Saturday, 25 January 2014

Costume

Costume


Here is the costumes my cast wore for the shoot:

Faye Errington as 'Nurse':



The representation of the nurse was important as I wanted the character to be a warm hearted person. I chose to cast my friend Faye as she is a warm hearted person and has a kind face and she looks trustworthy. The uniform is navy and this connotes intelligence and trust. We got the uniform as her Mum is a nurse. The dark colours represent that her job isn't easy. Especially on the day the scene is set as a lot of babies died and the dark colours represent death. The nurse is a middle class career woman so she had not yet settled down and planned to have children so the prospect of never having children was scary.


Niall Chazot and Calum Scott as 'Declan & Richard': 


These two characters are very sinister. They are dressed in black which connotes danger and mystery. The two characters are dressed smartly and present themselves well this signifies to the audience that they are of a higher class. The way they dress contrasts with the surrounding rundown area and also the way that the working class children are dressed too.


Ellen and Holly Pittilla as 'Ashleigh and Kayleigh':


I wanted to represent these two characters as relatable. They are just normal working class girls who do not get into trouble they just look out for each other. The youngest sister is wearing head to toe pink to represent her innocence as she is still a little girl who is playful and sweet. The older sibling is wearing a lot of black because she has had to grow up a lot quicker to protect her and her sister from danger and black connotes sophistication. Also it signifies to the audience that the oldest sibling is more likely to by in danger as that is what the red if the scarf connotes.

Jamie Crick as 'Connor':


This character is the only male and he keeps an eye on his friends who are mainly girls to protect them he wears dull colours as he does not want to stand out from the crowd and does not have many aspirations which is a typical value of working class boys. The football is bright and vibrant which suggests that this is the only thing he enjoys doing.

Amber and Ruby as 'Sam and Chelsey':


I wanted to represent these two characters as totally innocent. There age groups are of the he last of young children. They are just getting on with their days and they do not understand the danger they are surrounded by which is connoted by the colour of the swings which is red.





Shooting Day 2

Shooting Day 2


On Thursday evening around 5 pm when it was starting to get dark Faye, my mam and I headed out to the hospital in Durham (Not because of injury but to film the first scene of my opening sequence). It went pretty well although it was completely freezing and my hands couldn't bare touching the tripod because it was painfully cold. We were only shooting for around 20 minutes as it is a very short piece of footage. The only issue I had was that it obviously got progressively darker so I prioritised shooting with Faye rather than capturing the establishing shot of the hospital which I could film another night if needs by. This will have to be the face as when watching the footage back it was too dark and I will go back and shoot that shot again on Tuesday evening.

Sunday, 19 January 2014

The First Day of Shooting - Catch

 The First Day of Shooting - Catch


Today was the first day that I was filming with the majority of the cast. 


After waking up at an obscene time for a Sunday morning for a bunch as teenagers, I looked out of the window as I could hear rain pelting down. Obviously I was then sent into a state of panic as the rain was sure to ruin my plans. I then decided to push back the meeting time by an hour and got in touch with everyone to let them know. 

Unfortunately, the weather didn't clear up. So we travelled through to Gateshead from Durham in hope that it would stop raining as heavy. Eventually the pouring rain changed to drizzle.

We started filming in the rain and huddled under a few golf umbrellas between scenes.

Everything apart from the weather seemed to go fine until I got home and looked through my footage and found that I was recording without realising and pressed record which I thought would start recording but actually ended up stopping the recording. I did this twice for the same shot and it is super frustrating as this shot was the start of the main chase scene and it is a vital shot and without it the opening sequence won't make sense. I immediately asked my cast if they would have time to re-shoot that one shot next weekend hoping that the weather won't be too different. The only thing is Calum is not sure when he will get time to next weekend so I will try and work around that issue.

Here are a few screengrabs from the shoot today:









Saturday, 18 January 2014

Pre Filming Nerves

Pre Filming Nerves




Tomorrow is the first day of shooting for my final video and I am excited and nervous. I have managed to find a way around the characters that cannot make the shoot at the last minute. I'm so grateful that people have got invloved to help me find a solution to my casting issues. The alarm is set and I am meeting everyone at 8:30 sharp! Nothing like a bright and early sunday...

Weather

Weather



I have just checked the weather in my location ahead of the shoot tomorrow. It sounds like it is going to be dry which is ideal! (TOUCH WOOD) A bit of cloud never hurt and it will add to the 
shots through pathetic fallacy.

Last Minute Let Down

Last Minute Let Down


At the minute I am totally stressed out. I have to find a actor to replace Rosie Pittilla (who plays Same one of the main characters in my video) by tomorrow morning. I have been totally let down as she has just backed out. It is extremely annoying that this is the case as I had previously rearranged the day of shooting from today to tomorrow as she told me during the week that she was going shopping with her friends instead. Now unfortunately she does not want to be involved with the video at all. I have been asking people that are a similar age if they would fill her place but since it is slow late notice nobody is available.

These things happen and it is a shame that this happened a day before the shoot of my final Video

Sunday, 12 January 2014

Representation In My Film

Representation In My Film


I have been thinking about the way I'd like to use social class in my film. I am focusing on working class/underclass. But I'd like to represent the class in an ambiguous way I plan to capture the negative parts of the way that people live but hopefully in a way that makes it look arty and in its own way beautiful.

Basically I plan on presenting the characters in a positive way by not going down the stereotypical route of showing the young characters committing crimes or doing something anti-social and I want to show them being normal kids just getting by. I plan to show them in a park just chatting, playing football just normal kids. 

To show the negative side I'll use dirty back alleys, back to back houses and streets piled with rubbish. These are places where children in the area play out without any adult supervision and it is really dangerous. I will capture this and I also want to put my sequence in black and white which will connote the danger of the area. This represents that the children are not safe from threats from the outset. 

I will emphasise social class in my opening sequence by presenting the male sinister characters in suits and dressed smartly signifying to the audience that they are of a higher class. This contrasts with the clothing that the young working class characters will wear as they will be dressed in tracksuits and casual wear. This makes it obvious to the audience who is of a higher class and who is not.

The sinister men in suits are from a higher class and they also have the authority with supports the idea that 'money is power'.

In my openning sequence for Catch the higher class is represented in a negative way rather than the working class.

Change in Casting

Change in Casting


Bethany can no longer be in my film as she has other commitments.

(Bethany)

So one of my best friends Faye agreed to play the Nurse in my film.

 (Faye)


Taken Analysis

Taken Analysis


I have chosen to look at Taken as my last opening sequence I am to analyse. Taken has a short opening sequence compared to the other films that I have looked at.


20th Century Fox is one of the six major American film studios. Known for distributing some of the most successful films. The company was founded 31st May 1935.


The use of the simple text is effective. This is the type of typography I would like to use in my own opening sequence. I like how the text moves slowly in opposite directions. It then fades to black slowly.


The use of the home video it lets the audience in to memories made and makes it personal.

There is a high pitched noice that puts the audience on edge.


The titles fade in slowly and fade out slowly again. The sound of giggling is echoing in the background. This is exactly how I would like the audio to be over the start of my own opening sequence but instead of laughing have crying.


The sound of a piano plays slowly along with the eerie high pitched noise. This has inspired me as I feel that this adds emotion to the opening sequence and I think that my titles would benefit from this.


The man wakes up from the dream which was supposed to be the home videos. The man is sat in the dark which could represent his life. He is alone and his wife left him and their daughter live with her mother and her new partner.







Script

Script

I actually started and was half way through my script at school last week but I saved it to the user drive as my memory stick had broken and since the deadline is tonight I will just have to redo it.


SCENE 1: Night. A nurse sat in her car outside a hospital.

Opening establishing shot of the hospital sets the scene. There is the sound of eerie white noise, a flat line noise and women crying. The camera cuts to a woman nurse sat in her mini cooper with the headlights on. Her face blank and miserable with tears in her eyes. She doesn't speak a word.

SCENE 2: Day. In a park, a large field. Children are playing.

In the foreground there are three sisters sat on the grass. The eldest - Ashleigh is platting the hair of the youngest - Sam. Kayleigh the middle sister is sat to the left of them pulling up grass from the field. They look bored. In the background are two younger boys - Connor and Lewis playing football. The camera focuses on the boys but not for long. Then the main concentration in the girls. There is a scream and the boys disappear. The girls realise they are in danger and run. 

SCENE 3: Day. Chase scene through run down areas.

The three sisters run through the streets and cut through an estate which has boarded up houses. Two tall men dressed in black suits appear to be following them until the girls begin to run and the two men chase them. They almost get away but the youngest gets caught. Slowly fades to black.


(There isn't continuity within the chase - it doesn't follow their every move. I will break parts of the chase by including shots of different landscapes such as blocks of flats, graffiti etc. These shots are where I will include credits.)

Production Schedule

Production Schedule


Shooting Days:

·         Friday 17th January 2014
·         Saturday 18th January 2014
·         Sunday 19th January 2014

Friday:
·         15:45 - Meet Bethany at my house
·         15:55 - Costume, hair &  make up
·         16:40 - Travel to location
·         17:00 - Start shooting
·         18:00 - End shooting
Saturday:
·         08:30 - Meet cast at my Mam’s house
·         08:40 – Costume, hair & make up
·         09:00 – Travel to Gateshead
·         09:30 – Arrive at location
·         09:35 – Set up camera
·         09:45 – Start shooting
·         10:45 – Stop shooting. Move location.
·         10:50 – Meet rest of cast on set
·         10:55 – Set up camera
·         11:00 – Start shooting
·         11:50 – Stop shooting
·         12:00 – Lunch
·         13:00 – Walk to next location
·         13:15 – Set up camera
·         13:25 – Start filming
·         14:45 – Stop filming. Break
·         15:00 – Start filming
·         15:40 – Stop filming
Sunday:
·         11:30 – Travel to location
·         12:00 – Set up camera
·         12:05 – Start shooting landscapes
·         14:30 – Stop shooting
·         Wrap Shooting

Monday 20th January 2014:
·         11:20 – Store footage on computer
·         12:00 – Check to make sure all footage is there
Wednesday 22nd January 2014:
·         11:20 – Start editing
Thursday 23rd January 2014:
·         13:20 – Continue editing
Monday 27th January 2014:
·         11:20 – Continue editing
Wednesday 29th January 2014:
·         11:20 – Continue editing
Thursday 30th January 2014:
·         13:20 – Continue editing
Monday 3rd February 2014:
·         11:20 – Continue editing
Wednesday 5th February 2014:
·         11:20 – Upload rough cut
Thursday 20th February 2014:
·         13:20 – Mid way through final cut
Friday 7th March 2014:
·         12:45 – Upload final edit
Wednesday 12th March 2014:
·         Group Presentations
Monday 21st April 2014:
·         Begin evaluations 


Call Sheet

Call Sheet




I have just had two cast members let me know that they cannot make the day of shoot. The characters are two little boys playing football in the background of one of my scenes. They are important to the scene as it is them who are kiddnapped intially. The I asked my cousins to do it but on saturday they have football training and are then going to the Sunderland vs Southhapton match and cannot make it. I may have to consider filming on sunday also if I cannot find two other boys between the age of 5 & 10.

Saturday, 11 January 2014

The Name - Catch

The Name - Catch

I came up with the name for my film almost instantly when I began to gather my ideas about what I'd like to base my storyline on. I have only just realised that I hadn't offically posted about it although I had inlcuded the title on the story boards and on some titles of posts.

The name of my film is Catch. 


It was kind of an obvious choice as my film is based on kidnappings. It's simple, yet effective.

Train Spotting Analysis

Train Spotting Analysis



The next film I am analysing is Trainspotting. The opening sequence is iconic and has features within it that I'd like to use in my opening sequence. The film is based on the working class/underclass and it start of with a chase scene just like mine will include.


The production company for Trainspotting was Channel Four Films (now Film4). The company is known for backing British films that go on to become iconic films.

When the name of the company is showing the sound of feet hitting the ground fast and getting closer plays over the top.


For a second before you see the first foot touch the ground there is an establishing shot of a busy highstreet in Scotland. Then you see a pair of legs run straight past the camera down the street. This shot is really interesting and I think it would work really well in my opening sequence. 

You can see that the person the camera is focusing on doesn't fully care about their appearance as the shoes that they are wearing are dirty and scruffed up.


The use of a medium shot shows the audience the characters for the first time. From this shot you can instantly see a lot about the characters. Renton (left) in positioned slightly further forward than Spud (right) this signifies that in their relationship Spud looks up to Renton and that Renton has more authority.

The characters' facial expressions say a lot about their personalities. Renton looks determined to get away from the people chasing them which represents the way he feels about getting off drugs. Spud looks scared but is looking to Renton for support.

There is a contrast in the clothes that the two characters in the foreground are wearing in comparision to the men who are chasing them. Renton and Spud are dressed very casual wearing hoodies, jackets, jeans and trainers whereas the other men are dressed formally in business atire, wearing suits and ties. This indicates to the audience the social classes of the two pairs are very different. The pair dressed caually appear to be working class and the two chasing them more middle class.


The two drop many stolen goods from under their jumpers this fuels the stereotypical idea that people from working class background are all criminals.



It then cuts to a low angle shot which gives them authority. There is a clear difference between how much authority each character has by how far apart the two are.

The street has scaffolding covering some buildings and looks dull. This shows that the area is not 'posh'. There are usual highstreet shops such as boots in the background which gives the scene realism and sets the scene. The Scottish flag on the left hand side initially shows where the film is set. 

The film is about drug addiction. The side of the street that the two characters are on has no bright colours it is all grey and white this actually contrasts the characters and white connotes purity. But on the other side of the road are trees with green leaves on them. This could represent that there is a healthy lifestyle on the other side and that they just have to make the decision to 'cross the road' and stop taking drugs.

There appears to be a lot of old people in the street and not many young people and no children which suggests that this scene is set during a weekday which suggests from the outset that the characters do not have jobs and are on job seekers allowance. This is what people believe is a feature of working class or underclass people's lives stereotypically.

A tracking shot is being used in this scene to capture the chase smoothly at a fast pace.


Something that makes this opening sequence so memorable is the voice over that goes with it. The use of the regional accent is important. He has a strong Scottish accent which indicates that that he is from a working class background through the use of the regional accent. The voice over says 'Chose life. Choose a job. Choose a career. Choose a family, choose a f**king big television, choose washing machines, cars, compact disc players, and electrical tin openers.' 


The movement then changes from the tracking shot that had been used from the start of the opening sequence to a point of view shot. This shot isn't as smooth as a tracking shot but although this shot is supposed to represent the movement of Renton who is running as fast as he can the shot is relatively smooth and the shot remains clear and easy to follow.

I plan to use a similar shot in my opening sequence.


The camera cuts from the POV shot as the car comes down the street to a long shot from the other side of the road. Shot reverse shot is used as is shows what they see then cuts to see the reaction of the character.


The use of a POV from the driver of the car as it hits Renton and it follows him as he rolls over the car. This shot is interesting as it puts the audience inside the car like it is an exclusive angle to watch the action from as you never see the actual driver of the car.

There is a continuity error here that I picked up on. There is a man walking up the street towards the traffic lights and spud and the people chasing them are not in the shot.


I like this extreme long shot because the main focus is on the setting. The tunnel is dark and at the other side it is light. This signifies to the audience that the film is about a journey and that there is light at the end of the tunnel for them.


The camera returns to the shot from the driver of the car's POV. In this shot the clothes that Renton is wearing are all brown and he completely blends into the background. This shows that at this point in his life he is just living under the radar and not putting himself out there. Brown has connotations of stability which contrasts his lifestyle. 

The facial expressions show he is in shock that he got away and joy that the car ironically saved him.

This shot includes the first of the titles in the opening sequence. The when the titles appear the shot becomes a freeze-frame which is really interesting as it is unusual. Rather than the name of the actors names appearing in the titles, it shows their character names/nicknames. In this screenshot is 'Renton'. The text is bold, simple and white. This suggests that their name and reputation is important to the characters.


It then cuts to an indoor location. There is huge graping holes in the wall for who knows what reason but it instantly indicated to the audience that they are poor. There is also nothing else in the room which shows that they can't afford basic homely features and that it is not a priority to look after, decorate and furnish their home. Drugs are more important to them.


The shot cuts from a medium shot to a extreme long shot so you can see how very basic the place is.There is no carpet or real flooring, there is damp on the walls, holes in the walls, the ceiling is dirty and falling down. Basically, you wouldn't choose to live there.


These shots of each team playing five-a-side show that the main characters don't take things very seriously in comparison to the others. This is represented by what they are wearing, the other team have a team strip and look like they use a lot of teamwork. The other team are wearing whatever they turned up in. 


During this scene the audience is introduced to the rest of the group. Sick Boy, Begbie, Spud and Tommy. They use violent tactics in the game which represents their way of life outside of the game as it signidies that as they don't play by the rules of the game they don't live by the law.


This low angle shot give them authority and this represents the way that the characters feel as they have been violent towards the other team throughout the match.


The other team which do not look very intimidating at all and they take away the authority of Renton by kicking the ball in his face. Drugs are know to slow down your reactions so that explains why he didn't react before the ball hit him in the face. The use of a close up as the ball hit him shows the impact of the ball.


 Here the camera cuts between two different scenes, the scene of the five-a-side game and of Renton smoking something in the flat. It shows him being knocked out in both scenes, showing that the damage and the pain is equal in the game and in doing drugs.